Ballad Spotting: Silver Borne by Patricia Briggs

Several direct mentions of ballads and songs within the text of this novel, published in 2010, offer the aware reader delightful foreshadowing of action and consequences:

Thomas the Rhymer (page 196) and the passing of time in the world of the Fae: "I underlined Thomas the Rhymer's name because it was history and Rip was a story by Irving that might or might not have been based on various legends--including Thomas's."

Tam Lin (page 305). While this ballad is not named, those who are familiar with the Faery Queen's final challenge to Janette would recognize it immediately: " A different bargain, then. You hold something of my choosing while it changes." Briggs satisfactorily presents the challenge for this reader.

Not a ballad but a song relevant to my present research: The Devil Went Down to Georgia (page 284) "Bargaining? Like in the song 'The Devil Went Down to Georgia' but with a fairy?" I asked. It seemed to me that I'd heard a similar tale with fairies in it.
"Right," Samuel agreed. "It can be a contest--usually musical, because fairy queens tend to be musically talented. But there are stories of footraces or swimming contests. My father has a wonderful old song about a young man who challenged a fairy to an eating contest and won."

The Boneshaker at Chasing Ray

A lovely review and interview with author Kate Milford with crossroad references:

http://www.chasingray.com/archives/2010/05/you_come_to_know_the_road_that.html

More about my experience with the book soon.

THE BONESHAKER @ THE CROSSROADS

Enjoying Kate Milford's The Boneshaker and her playing with "the devil and the crossroads" legend. More when I finish it.

A book review

A lovely book review of Stories from Songs can be found at:
CM Magazine

An excerpt from the review by Kay Weisman:

De Vos's writing is thorough and scholarly, yet accessible. Each thematic chapter covers several relevant ballads; she provides plot summaries, alternate titles, performance histories, critiques of critical research, and discussions of contemporary literary versions, including novels, short stories, graphic novels, poetry, and internet resources. She also includes numerous tables that organize related details such as the developmental stages of a particular ballad or the variants of a song.

For example, author's section on "The Gypsy Laddie," from the chapter on tragic love stories, notes that this is a Child ballad, type 200, about a lady who, enchanted by the gypsies, follows their leader, Johnny Faa. Her husband rides to fetch her, killing 15 gypsies in the process. De Vos describes several common variations, noting artists such as Bob Dylan and Woody Guthrie and the versions they have sung. She cites more than fifty alternate titles for this song, including "How Old Are You My Pretty Little Miss?" and "Black Jack Davey," and summarizes the history of this ballad in a chart with entries dating back to Plato in the fourth century. In addition, she cites and describes more than thirty critical interpretations of this song, published between 1932 and 2004. She notes three related novels (including Philip Pullman's The Golden Compass), three short stories, three poems, one picture book, and three relevant web sites. Each literary adaptation is fully described and critiqued.

De Vos does not discuss melodies, preferring to concentrate instead on the stories. Her work is heavily footnoted, and her numerous references will serve as a useful resource for other researchers. Multiple indexes (author/illustrator/musician, ballad, and title) assure that readers will find what they are looking for, making this a good choice for high school or university fine arts collections.

Today's Dilbert (Jan. 29, 2010)

And more Dilbert and contemporary legends

Dilbert and Contemporary Legends